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If Robin Williams was gay and had been alive in 1929, this would have been the result: it's that campy and wild. He cuts up, clowns around, camps it up, throws in some - ah-hem - giveaway gestures (ex.: he throws out his derriere to one of his officers, kisses his gal's father on the lips, strikes blatantly feminine poses, etc.). Haines is completely at ease in front of the camera, sometimes TOO at ease. The fact that is stars Haines changes everything. The plot: Love 'em and leave 'em sailor meets good girl, uses her, dumps her, returns (I won't give the ending away but that gives you enough info). This would be an average 1929 (it is an all-talking picture, by the way, not a silent) melodrama if it didn't star Haines. He refused, quit the movies, and became an interior decorator. He lived openly with his partner.) and quit the movie business in the mid 1930's after an arrest for public indecency that was followed by studio demands that he marry. Haines was semi-open about his homosexuality (He didn't hide it and openly joked about it to reporters.
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That's where I was introduced to him.Ģ) Those who know Haines as a gay icon. In that film, the clean-cut, classically handsome Haines showed he had movie charisma and comedic talent. There are probably two groups of people who will be interested in this movie:ġ) Those who know William Haines (top box office male star of 1930) from the wonderfully entertaining Marion Davies comedy, "Show People," directed by King Vidor.